Prior to hitting it big with The Hurt Locker and propelling himself into superstardom/back into obscurity with the enormous success/spectacular failure of Avengers Assemble, Jeremy Renner starred in this fairly low-key drama about a man on death row and the woman he wronged. Minnie driver plays Ana, a woman struggling to make ends meet and raise her son, who has additional support needs. Renner plays Saul, a man whose gambling debts have force him into a life of crime. These two people’s lives collide in a dramatic, tragic and highly predictable manner.
The problem with Take is that for all its worthiness and decent performances, it is unfortunately very dull. I finished watching it not three hours ago and I’m already struggling to remember much of it. The Big Important Climatic Crime Scene is pulled off pretty well, but why does it come so late on, towards the final third of the film? The narrative is constructed in a nonlinear manner and it seems to me that to have The Big Important Climatic Crime Scene happen much earlier would have ultimately made me care more about the characters’ fates. It’s pretty obvious what’s going to happen anyway, so they might as well have got it other with.
The most interesting thing about the film is the title card at its end which discusses Restorative Justice, a charity that seeks to make criminals and victims and the public at large more aware of the human damage of crime and seeks to create meetings between criminals and victims to discuss their crimes to much great affect, apparently. This is all well and good, but personally it was difficult to sympathise too heavily with this cause whilst the film maintains an apparently nonchalant position on the death penalty, the abolition of which, I feel, is a much higher priority.
Still, at least Saul was humanised and while there was a certain amount of catharsis, there was no cut and dry resolution for the pair at the film’s end. It’s nice to watch a film with some thought behind it, so it’s a shame that Take is delivered so weakly.
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